![]() ![]() Multicam works as expected with up to 16 cameras in one split view. When connected to a collaborative project there is now bin-locking, sharing bins and even a chat window. You can work from ingest to output all within one app. With these new additions, among others, I really do think that Resolve is also becoming a workable nonlinear editor much like industry standards such as Avid Media Composer, Adobe Premiere Pro and Apple Final Cut Pro X. And don’t forget the audio waveforms being visible on the source monitor! My favorite updates to Resolve 14’s Editing tab revolve around collaboration and conforming functions, but I even appreciate some smaller updates like responsiveness while trimming and video scopes on the edit page. The free version will work with res olutions up to UHD at up to 60fps and still gives you access to all of the powerful base tools like Fairlight and the mighty color correction tool set.ĭisclaimer: While I really will try and focus on the Editing tab, I can’t make any promises I won’t wander. For this review, I am using the $299 version, which has a few perks - higher than UHD resolutions higher than 60 frames per second timelines the all-important spatial and/or temporal noise reduction many plugins like the new face tracker multi-user collaboration and much more. Fairlight is not currently at the same level as Avid Pro Tools, but it is still capable, and with a price of free or at most $299 you can’t lose. Over the last two years, Resolve has grown from a high-end color correction and finishing app to include a fully-capable nonlinear editor, media organizer and audio editing tool. While I typically refer to Resolve as a high-end color correction and finishing tools, this review will focus on the Editing tab. Seriously, you can’t go wrong with Ripple.Resolve 14 has really stepped up Blackmagic’s NLE game with many great new updates over the past few months. I’m sure I’ll be back again, in the future, picking up another Resolve training series from Ripple. Jason, the instructor for this series, clearly explains the process and doesn’t talk fast and loose like many other teachers I’ve come across. Always well paced, it is very easy to follow along each tutorial without feeling overwhelmed. What separates Ripple Training from other 3rd party tutorial developers, is the clear and concise instruction found in their tutorials. If you’re new, or old, to Resolve I highly recommend this tutorial series. Just when I thought I knew all I need to know about LUTs, Ripple comes along and drops this series on me. To date, I’ve purchased all but one of the tutorial series for Resolve from Ripple Training. As a big fan, and new user of DaVinci Resolve, I’m always on the look out for tutorials for Resolve. No surprise to me, I’ve just completed another excellent tutorial series from Ripple. The Benefit of Using Resolve Color Management.How Resolve Color Management Handles Raw Clips.Choosing Individual Clip Input Color Spaces.Why You Should use Resolve Color Management.Layering LUTs with the Layer Mixer Node.Combining LUTs With a Parallel Mixer Node.Adjusting your Grade Before the Look LUT.Creating an Additional Node for a Look LUT.Normalizing GoPro Shots with Third Part LUTs.Normalizing Footage with Technical LUTs.Using Powergrades instead of LUT Gallery.Visually Evaluating LUTs with LUT Gallery.Applying a LUT to Incorrectly White Balanced Clips.Download this outline Working with LUTs in Resolve 14/15 1. ![]()
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